Can Journalism Be Saved: A Conversation with Nicholas Lemann

One of the seemingly consistent things about creative destruction, particularly as a result of technology, is that we have a short memory for what came before the change. We remember just immediately preceding a dramatic shift in some vital element of our lives, but we forget what came before. It has the patina of making us nostalgic for the remembered past, even though we forget the long history.

This certainly seems to be true of journalism. We look at the landscape of what venture capitalist Jason Calacanis calls “late-stage journalism” and we see a world that is certainly far from what folks once though was the Golden Age of journalism in the 60s, 70s, and 80 and ’90s. But as a part of broader history, the picture is different. And perhaps it is only in seeing that difference, that we can adapt to the economic, political and socials needs of journalism today.

To talk about this, I'm joined by the journalist and Dean Emeritus of the Columbia University Graduate School of Journalism, Nicholas Lemann.  His story, Can Journalism be Saved, appears in the most recent issue of the The New York Review of Books.  

My conversation with Nicholas Lemann:

What Maxed Out Political Corruption Looks Like

Lately, there have been countless articles about the rise of authoritarian regimes. One aspect of all of these regimes is, even as we’re seeing here in America, the dramatic extremes in corruption. Often fueled by power, money laundering, drugs, and simply all manner of crimes upon the public.

Perhaps nowhere in contemporary times was this worse than in Columbia in the 1990s and 2000s. Amidst a complicated, murky civil war, drug cartels, corruption and unrestrained violence, the country came apart.

What exactly happened, where is it today and what we can learn from it, is the subject a new and powerful book by Peruvian-American activist/writer Maria McFarland Sánchez-Moreno entitled  There Are No Dead Here: A Story of Murder and Denial in Colombia.

My conversation with Maria McFarland Sánchez-Moreno: