It wasn’t very long ago that to see a foreign language film, you wound up in the smallest theater in the multiplex or a little art theater somewhere in a college town...or you lived in New York or San Francisco or Boston. But like everything else, creative destruction has done its job. Streaming and the long tail of the internet has moved to supplant cable, movie theaters, broadcast television, and even the English language as the talisman of all of our entertainment.
Even amidst the bifurcation and division in both the US and the world, filmed entertainment seems to be one of the few things bringing the world together. Suddenly at our fingertips is programming made everywhere. And rather than looking at it as an oddity reserved only for a few cinephiles, it’s now working its way into the mainstream of all of our living rooms.
Is this just a temporary blip due to COVID and the pandemic, or has global entertainment undergone a tectonic shift that both reflects and might reshape our culture? We’re going to talk about this with Scott Roxborough.
Is this just a temporary blip due to COVID and the pandemic, or has global entertainment undergone a tectonic shift that both reflects and might reshape our culture? We’re going to talk about this with Scott Roxborough.
Scott is an international reporter covering film and television and music. He reports on entertainment from Europe for the Hollywood Reporter, Billboard, and German TV, and wrote a seminal article for the Hollywood Reporter dealing with this subject.
My WhoWhatWhy.org conversation with Scott Roxborough:
